Maker Monday: Robert Clark, Artist

We all started on this journey with horse racing as fans. A particular face or race caught our eye, and, regardless of our age, we were smitten. Maybe it was a Marguerite Henry book; maybe it was a horse that your mom or dad was fond of. However old you might have been or where you were in your life, a blaze, a pair of ears, or even a flash before your eyes ignited your imagination. You keep the image of that horse close to you, sometimes in your heart, and, sometimes, you even get lucky enough to find a brilliant artist to capture them for you. That’s where our Maker Monday begins: with an artist who captures them for you. Meet Robert Clark, artist.

Artist’s Inspiration

Gun Runner

Starting young, Robert had his first one-man show at the young age of nineteen, always with a focus toward building on his natural talent with coursework and more. At the heart of his artwork has always been painting, using Arabians as his first equestrian studies and then transitioning into Thoroughbreds. He studied the greats of Thoroughbred artistry, Franklin Voss and Richard Stone Reeves, as he perfected his own skills capturing the great racehorses of our time. His work has been rewarded with chances to paint at the Eclipse Awards, the Breeder’s Cup, Keeneland, and more. Currently, Robert paints out of his gallery in Georgetown, Kentucky, with his eye always looking toward what’s next both as an artist and as a fan of horse racing.

Works of Greatness

Monomoy Girl

To look at Robert’s resume is to see that he has captured many of the great racehorses of our era, from American Pharoah to Authentic, Beholder to Zenyatta. Many of these are available as prints you can purchase for your home; he also has them collected into his book, A Brush with Greatness, that he co-wrote with famed historian Edward Bowen.

In addition to capturing champions, Bob also works on commissions, a chance for owners of any horse to preserve the memories of their beloved equine friends.

Lasting Memories

Street Sense

One of the joys of Robert’s work is the glorious color and emotion he paints into each one, a chance to relive these moments in perpetuity. I have been lucky to have calendars with his artwork on my office wall the last couple of years and I enjoy revealing a new face with each turn of the month. The realism is exquisite, each painting evoking that familiar rush of joy upon seeing their lovely faces. I look forward to hanging one of his prints in my office one day, just as soon as I can actually pick one!

So, on this Maker Monday, visit Robert Clark’s site, find a piece that you must have for your home, and bring home the magic of this artist. With work reminiscent of both Richard Stone Reeves and Franklin Voss, I guarantee that print will become a treasured part of your collection. Find Robert on Facebook and Twitter and at his online gallery.

Fan Friday: Barry Spears

One of my motivations behind #FanFriday is highlighting fans who also happen to work in the industry. Many who work in racing get their start in families already involved in the sport, but some begin their time in horse racing on the track apron, watching and wagering like the thousands of fans that attend the races from California to New York each year. That route into the sport brings with it valuable perspectives for the future of horse racing. For Fan Friday, I wanted to showcase one of those voices, Barry Spears.

Growing up in the Northeast, Barry’s grandparents exposed him to racing early, taking him to Aqueduct or Belmont each time he came to visit. Later, his family planned trips to Saratoga for big event weekends like the Travers Stakes. This early exposure to horse racing led Barry to go into handicapping, playing tournaments and writing about wagering and other racing-related topics. He regularly appears with Charles Simon on the Going in Circles podcast and had made appearances on TVG and other podcasts during his career.

In addition to being a fan and now a professional in the sport, Barry is also an advocate for expanding the sport’s reach into the diverse groups of fans seen at the racetrack, bringing more and more minority voices into the public sphere as broadcasters and handicappers, and into the next generation, regularly enjoying bringing his daughter with him to the racetrack.

On this Fan Friday, meet the Sniper, Barry Spears!

Name: Barry Spears

Role in racing: I’m The Sniper (Jack of All Trades which includes writing, handicapping, betting, handicapping tournaments, serial podcaster, breeding, historian, AND minorities in racing advocate).

Favorite memory at a racetrack: The 2009 Woodward at Saratoga. Probably the greatest race I have seen in person. Rachel Alexandra was unforgettable that day. It was also my last visit to Saratoga unfortunately.

Turf or dirt: Turf. Nothing like seeing a horse with a spectacular turn of foot on the lawn. Two of my all-time favorites were King Cugat and Megahertz

Favorite piece of racing memorabilia: My wide print picture of Bobby’s Kitten winning the 2014 Breeders’ Cup Turf Sprint. One of my best betting days ever at the races. The race capped off an amazing pick 4 I had won in grand fashion.

Person you’d like to meet: Joel Rosario …. and it’s not even close.

Horse you’d like to meet: Heart to Heart. Just a magnificent animal.

Favorite race: 2014 Breeders’ Cup Turf Sprint. The 2002 Test Stakes is a REALLY close second (You vs, Carson Hollow)

Finish this sentence: I wish I could ….. be a jockey. As a kid I would ride my parent’s couch arms and use a whip they bought me at Saratoga. Unfortunately, I grew to be a 6’4” basketball player so I never has a chance. I would definitely be a speed rider. I like to go fast!

How would you get new fans into racing? I would reach out to young, new, and untraditional demographics and get them to a racetrack for a day. People will have no choice to fall in love with the game like I did.

Thank you so much, Barry, for being a part of Fan Friday here on Foxes! You can follow Barry on Twitter (@UrbnHandicapper) and hear him weekly alongside Charles Simon on the Going in Circles podcast.

Throwback Thursday: Granville

William Woodward was one of those breeder-owners of similar ilk to his peers, the Whitney family and Calumet Farm: they bred to race, relying on generation after generation of horses carefully selected by each to produce the next champion. Woodward started with a handful of mares sired by Ajax that he purcahsed from French breeder Edmond Blanc during World War I, and, from those five mares, he produced multiple champions, including the horse at the center of today’s Throwback Thursday post, Granville.

All Good Things Start Here

Granville with Jimmy Stout

One of those Ajax mares was Mousse des Bois, who was imported to the United States after World War I with her yearling colt, Sarmatian, in tow. Sarmatian did not race here, but became one of Belair’s earliest stallions, siring the filly Gravita. Gravita herself was not a winner on the racetrack, but, as a broodmare, Woodward paired her with his Triple Crown winner, Gallant Fox, and, in early 1933, Gravita foaled a bay colt with a thin white blaze. Woodward named him Granville.

When Granville was foaled, Gallant Fox’s first crop of foals were yearlings so standouts like Omaha had yet to hit the track. At two, though, Granville proved to be cut from the same cloth as his sire and Omaha even more so: it took Granville four tries to break his maiden in an allowance race at Aqueduct, his only victory of his two-year-old season. Like his sire and Omaha, Granville needed time to find his gear. As a three-year-old, this son of the Fox and Gravita truly would shine.

Belair Bruiser

Granville started his three-year-old season with a win in an allowance race, a tune-up for the Wood Memorial four days later. He lost the Wood by a nose to Teufel, owned by Wheatley Stable. Then, in the Kentucky Derby, a chain reaction of bumping sent Granville to his knees and knocked Bold Venture off stride. Bold Venture’s young rider Ira Hanford managed to stay in the saddle; Jimmy Stout could not keep his seat on Granville, tumbling to the track unhurt and watching his mount run the mile and a quarter without him.

In the Preakness, Granville managed to keep his feet and his rider throughout the race at Pimlico, challenging Bold Venture in a stretch run that had both horses battling head to head down the stretch. Bold Venture eked out the victory by a nose, becoming the fifth horse to win both the Kentucky Derby and Preakness. With only the Belmont Stakes to go, Bold Venture was on the precipice of becoming the fourth horse to win the Triple Crown and the third to do it that decade. Unfortunately, the dual classic winner bowed a tendon while preparing for the Belmont, knocking him out of the race. Granville wore down the front-running Mr. Bones to take the Belmont Stakes by a neck.

From there, this homebred won the Arlington Classic, the third Belair horse to win that race that decade, and then went to Saratoga for the rich stakes there. He then did what both Gallant Fox and Omaha had been unable to do and won the Travers Stakes, bringing home the first Man o’ War Cup, a replica of the trophy award to Man o’ War upon his victory in the match race against Sir Barton in 1920. Then, he won the mile-and-three-quarters Saratoga Cup by eight lengths over 1935’s Horse of the Year, Discovery, and the mile-and-five-eighths Lawrence Realization by two lengths. His remarkable run of six victories after losing close finishes in the Wood Memorial, the Preakness Stakes, and the Suburban Handicap earned him both Champion Three-Year-Old Colt and Horse of the Year honors at the end of 1936.

Not-So-Grand Finale

A minor leg injury after the Lawrence Realization forced Granville to miss the Jockey Club Gold Cup, ending his three-year-old season a bit prematurely. Woodward had intended to bring Granville back to race at four, but Virginia breeder Kenneth Gilpin convinced the master of Belair to retire the son of Gallant Fox. Gilpin had stood Teddy, Granville’s great-grandsire, at his Kentmere Farm, but Teddy’s death in 1936 left Gilpin without a stallion. The Virginia breeder leased Granville from Woodward for two years; after that, Granville stood in Knetucky at John Hay Whitney’s Mare’s Nest Stud before his 1943 sale to Dr. J.M. Winchester. He stood out on Winchester’s ranch in New Mexico for several years, eventually becoming a part of the United States Army’s Remount Service, much like Sir Barton had in the early 1930s. Granville died in 1951.

With Gallant Fox’s bad-luck turn in the 1930 Travers and then Omaha’s injury in the Arlington Classic in 1935, the Travers Stakes eluded William Woodward until Granville’s turn in 1936. Much like his sire, Granville was not a star at two, but, at three, he shined brighter than the rest, earning Horse of the Year honors after a string of victories in some of the country’s leading stakes races. He joined his sire and Omaha on that long list of other Belair champions of that era, part of the red dots’ dominance of racing in the 1930s. His induction into the National Museum of Racing and Hall of Fame in 1997 solidified his place as one of the great champions of American racing as the sport expanded from coast to coast during the Great Depression.

Maker Monday: Amie Martinez

If you’re a New York Yankees fan, you can find just about anything with their iconic logo on it: shirts, shoes, bobbleheads, Christmas ornaments, facemasks, etc. Same with your favorite college or NFL team: gear for any fan, from babies to pets, is available to show off one’s affection for their team. For horse racing fans, access to such items has not always been consistent.

This Maker Monday, meet Amie Martinez, an artisan that was determined to change that.

Opportunity Knocks

As a lifelong horse racing fan, Amie noticed that she wasn’t able to find gear for her favorite horses as easily as others could buy a shirt for their favorite team. After watching Songbird’s stellar 2016 season, Amie wanted a Songbird ornament for her Christmas tree, but, when she couldn’t find one, she decided to make one herself. She shared her creation on Facebook and suddenly she had more than a hundred requests for ornaments! With that, Amie’s Horse Racing Gifts was born.

Customized Excellence

At the heart of Amie’s business is customization. That Songbird ornament was just the tip of the iceberg: in addition to that champion filly, she has made nearly twenty different ornaments for me and hundreds of others for her customers. And that’s just ONE of the items she’s offered.

If you watch America’s Day at the Races on Fox Sports, you’ve seen Hall of Fame jockey Gary Stevens broadcasting from his home, and, on the sofa next to him, you’ve seen some of Amie’s work: custom pillow cases. She’s made similar pieces for others in the sport and she can do the SAME thing for you.

Basically, if you can imagine it, she can make it. In addition to these two items, I’ve seen her customize coffee cups, water bottles, wine glasses, signs, door hangers, decals, shirts, face masks, and much, much more. Amie also sells monthly surprise treat boxes that often come with a variety of goodies.

On this #MakerMonday, I’m excited to share the goodness that Amie creates with you guys since both her love for the sport and her desire to share it with others has done so much for fans like me. I have a number of Amie’s items around my home and I’m glad to share her work with you guys. If you’re inspired, reach out to her and see what magic she can create for you. I can’t wait to see what she does next!

You can find Amie on Facebook, Instagram, and Twitter.